The Directors Series- Stanley Kubrick

Found through No Film School:

The Directors Series- Stanley Kubrick [1.1] from Raccord on Vimeo.

The Directors Series- Stanley Kubrick [1.2] from Raccord on Vimeo.

The Directors Series- Stanley Kubrick [1.3] from Raccord on Vimeo.

The Directors Series- Stanley Kubrick [1.4] from Raccord on Vimeo.

The Directors Series- Stanley Kubrick [1.5] from Raccord on Vimeo.

BFI's 2001: A Space Odyssey Trailer

Jan Harlan Discusses The Shining

From Cinephilia & Beyond:

Roger Ebert Interviews Arthur C. Clarke

Roger Ebert Interviews Arthur C. Clarke from Illinois Public Media on Vimeo.

Staircases to Nowhere: Making Stanley Kubrick's 'The Shining'

Staircases to Nowhere: Making Stanley Kubrick's 'The Shining' from Howard Berry on Vimeo.

Kubrick Visions: Kelvin Pike

Kubrick Visions: Kelvin Pike from Howard Berry on Vimeo.

The Shining

From Cinephilia & Beyond:


The Making of THE SHINING by paget76

Also:

Remembering Stanley Kubrick

Rare Stanley Kubrick Documentary

From Cinephilia & Beyond:

Lost Kubrick-The Unfinished Films of Stanley Kubrick

Lost Kubrick-The unfinished films of Stanley Kubrick from frame-paradiso on Vimeo.

Stanley Kubrick's Dr. Strangelove

Cinephilia & Beyond's posts on Dr. Strangelove.

The Art of Stanley Kubrick

Found at Mentorless:

Kubrick On Learning Filmmaking

From this Cinephilia & Beyond post:

If you were nineteen and starting out again, would you go to film school?The best education in film is to make one. I would advise any neophyte director to try to make a film by himself. A three-minute short will teach him a lot. I know that all the things I did at the beginning were, in microcosm, the things I’m doing now as a director and producer. There are a lot of noncreative aspects to filmmaking which have to be overcome, and you will experience them all when you make even the simplest film: business, organization, taxes, etc., etc. It is rare to be able to have an uncluttered, artistic environment when you make a film, and being able to accept this is essential. The point to stress is that anyone seriously interested in making a film should find as much money as he can as quickly as he can and go out and do it. And this is no longer as difficult as it once was. When I began making movies as an independent in the early 1950s I received a fair amount of publicity because I was something of a freak in an industry dominated by a handful of huge studios. Everyone was amazed that it could be done at all. But anyone can make a movie who has a little knowledge of cameras and tape recorders, a lot of ambition and — hopefully — talent. It’s gotten down to the pencil and paper level. We’re really on the threshold of a revolutionary new era in film.

Stanley Kubrick - Rare Radio Interview

2001: A Space Odyssey - The Making of a Myth

2001: A Space Odyssey

Camera Three: A Primer for '2001: A Space Odyssey

Video can be found here:

Rare television special which aired on May 5, 1970 in Canada. It is hosted by Keir Dullea and sees Dullea reading some of the cut out narration from 2001 that Kubrick decided not to use. It features scenes from 2001 and it was recorded in New York City. It was written by Stephan Chodorov, and produced and directed by John Musilli.

Ken Adam - Production Designer

Kubrick Documentaries

Kubrick.

Good way to spend your day, if you aren't watching football.

Lot of documentaries linked here.