BSI vs the War Doctor
We discuss The Day of the Doctor.
I think you can actually hear my opinion of the episode changing as we talk.
There’s a big blue box. It’s bigger on the inside than the outside. It can go anywhere in space and time, sometimes where it is supposed to go. Something will go wrong, and there’s some bloke called The Doctor who’ll make it all right because he’s awesome. Now sit down, shut up and watch Blink.
Of course, people are still curious. They wonder if maybe the books have some secret, magic formula, a short cut to telling brilliant stories. So, to save you some time and money, here is a bullet-point summary of every screenwriting "how-to" book ever:
--1: Have a Beginning, Middle, and an End. In the Beginning, kick off the story in an interesting, exciting way, introduce all the characters (making sure they're interesting, flawed, with voices distinct from each other, snappy dialogue that sounds real, and their own specific goals and conflicts, especially the baddies), and show us what the main character wants, and the obstacles in their way. In the Middle, throw all the obstacles at them and see how they cope, while avoiding visible exposition ("As you know, my father, Dr Robert McFuckleberry, the eminent parapsychologist, went missing last year under mysterious circumstances"), working it into the dialogue and actions subtly, showing us what's going on instead of telling us. Similarly, don't tell us stuff in the action description that can't be seen on screen (Jack is a black belt in AssKickFu, and loves his mum), show it happening (Jack uses martial arts to kick a guy's ass for insulting his mum), because every scene should move the story on, or reveal character, preferably both. Halfway through the Middle, throw in a surprising twist that moves the story in another direction. In the final bit of the Middle, have everything go wrong, and make it look grim for the main character. In the End, show the main character summoning up their strength for one final battle, where they overcome all the obstacles, save the day (in a surprising yet inevitable way that was hinted at from the very beginning), and walk off into the sunset having learned something and grown as a person - that, or they tragically fail/die, but with a glimmer of hope for the future. Keep it all between 90 and 120 pages (a page is roughly equal to a minute of screen time), and make sure it's in the proper screenplay format (use Final Draft or Movie Magic Screenwriter if you have some spare cash, or the free CeltX or BBC ScriptSmart Word template).
--2: Er, that's it.
Labels: Dr Who, Movies, Screenwriting
Nobody talk to me. NOBODY HUMAN HAS ANYTHING TO SAY TO ME TODAY!



Labels: Dr Who

If I was going to do it, I’d probably do the television version,” Morrison said. “That would be the thing to see. ‘Doctor Who’ for me was always about drama. It was about actually watching it on the television, and the fact that in Britain it was kind of a Saturday night ritual thing was a very primitive, sitting-around-the-campfire kind of feeling. I think that’s the aspect that I always liked: the fact that kids would be terrified, but at the same time, parents would watch it, and they would be able explain to the kids what it was they were terrified about. It was about the communal experience, and it’s become that again, since Russell T. Davies took over.”
“I love the character,” Morrison added. “Jon Pertwee [the Third Doctor], was my favorite, I was really fond of Colin Baker [Sixth Doctor], he was a great actor, a great Doctor, but he had a terrible storyline, which kind of killed that one. I like Christopher Eccleston [Ninth Doctor] as well. He didn’t get enough of a shot at it. But I’ve kinda grown fond of David Tennant [Tenth Doctor] now.





The book is almost always better than the movie. You could have no better case in point than FROM HELL, Alan Moore's best graphic novel to date, brilliantly illustrated by Eddie Campbell. It's hard to describe just how much better the book is. It's like, "If the movie was an episode of Battlestar Galactica with a guest appearance by the Smurfs and everyone spoke Dutch, the graphic novel is Citizen Kane with added sex scenes and music by your favourite ten bands and everyone in the world you ever hated dies at the end." That's how much better it is.

